T.A. Vieira Photography
Blsck and White Portrait, Beauty and Cultural Photography
It’s no secret that I’ve really been enjoying shooting Rollei Retro 400s, a very beautiful black and white film. I’ve mostly shot it at box speed, 400, but have also played around with it at EI 1600 as well. Both speeds offer great results. I’ve been a little anxious to do an intimate portraiture photo …
Turning It Up a Bit How Cool Is That!!? Doing This with Other Film?
Had my second shoot with Yuli last week. Always a shoot to look forward to. This was a film shoot, all photos in this post were shot with my M6, and shot on Kodak Tri-X pushed to 1600. Enjoy the photos.
Last week I had an Intimate Portraiture photo shoot with the very beautiful and talented Yuli Shumilova. This was our first shoot together and I’m really happy with the work we came away with. It was a simple shoot (my favorite kind). One light, the model and the photographer. You can’t get much simpler than …
Elsa and I have been shooting together for a few years now. Always a lot of fun working with her, and as usual, I love the shots we came away with. One difference this year, we shot on film.
I’ve been doing a good amount of low light street photography using Fujifilm ACROS 100 film pushed to 400 ISO. I’d go out around twilight and shoot until it got dark. I’ve enjoyed the results from that so much that I was inspired to do a low light photo shoot using ACROS pushed to 400 …
Had another fantastic shoot with Jonny this past week. The last shoot we had done together was for the April issue of FujiLove magazine. We got some beautiful, moody, lowlight shots for that project. So for this shoot I wanted to go the other way and really lighten things up. I was also using this photo …
I had a very enjoyable photo shoot this week with studying actress, Sivan Gavish. Some photo shoots just really stand out because of how cool the people are that you’re working with. This was one of those shoots. Sivan and her sister, Talia came over and we had a great time during the shoot. I …
